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Public offerings, including concerts, recitals, lectures, exhibitions, theatre performances, etc., are cancelled or postponed at least through March 29. UCF Celebrates the Arts 2020, planned for April 7-19 at Dr. Phillips Center for the Performing Arts, is also cancelled, as are several other events extending into April. Click here for more information.

College of Arts and Humanities

The Importance of Being Earnest

August 27 - August 30
Theatre, Main Stage(107)

Cost: $20 standard, $18 senior, $10 student

by Oscar Wilde
Directed by Mark Routhier

A delightful romp of mistaken identities, witty banter, and larger-than-life characters!

A delightful romp of mistaken identities, witty banter, and larger-than-life characters! While Gwendolyn and Cecily both fall in love with a man named Ernest, Jack and Algernon learn the importance of being earnest.

“[T]he rare work of art that achieves perfection on its own terms.” -The New York Times

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Photo by Tony Firriolo Photo by Tony Firriolo Photo by Tony Firriolo Photo by Tony Firriolo Photo by Tony Firriolo Photo by Tony Firriolo
  • Further Reading

    A Note from the Director

    “In matters of grave importance, style, not sincerity is the vital thing.”
    - Gwendolyn

    “Her unhappy father is, I’m glad to say, under the impression that she is attending a more than usually lengthy lecture by the University Extension Scheme on the Influence of a permanent income on Thought.”
    - Lady Bracknell

    The Importance of Being Earnest was produced for the first time in 1895, one hundred and twenty years ago, and for being a ‘Trivial Comedy for Serious People,’ there are some truths in the dialogue that still resonate today. Oscar Wilde must have had a ball writing this comedy of manners because it is a stinging satire on the leisure class of the Victorian Era. And it is written in such a light-hearted way that the very people Wilde was targeting could not do anything but enjoy this funhouse mirror reflection of themselves.
    Cloaked in a very clever manifesto on Victorian views of marriage, the play is about so much more. Lady Bracknell’s offhanded mention of the lie she’s told her husband about Gwendolyn’s attendance at the lecture on ‘the Influence of a permanent income on Thought’ feels, to me, like the central satire here. What happens when one has just too much time on their hands? What becomes important? And why?
    I went to a fancy New England prep school and I had a friend there, who, in all seriousness, would pose the question, ‘Is it more important to be sincere or clever?’ The characters in this comedy have the answer I think he always wanted to hear, but I never gave him.
    - Mark Brotherton, Director

    A Note from the Dramaturgs

    Theatre in the late Victorian era focused chiefly on presenting messages of morality through the use of specific stock characters. These archetypes would commonly struggle through the obstacles of jealous misunderstandings, mistaken identities, compromising letters, hopeless love, and betrayal of affections. With The Importance of Being Earnest, Wilde transforms the norm of Victorian theatre by combining and simultaneously contradicting almost every popular archetype and theme. He cleverly uses paradoxes and inversions, interwoven with witty dialogue to both poke fun and provoke conversation about certain social and moral dilemmas: love, marriage, loyalty, wealth, sacrifice, manners, and social status.

    By creating characters that are so involved and concerned about the superficial aspects of life, Wilde creates a timeless piece that has audiences of any age laughing and relating to their eccentric lifestyles.

    Wilde describes his play as ‘A Trivial Comedy for Serious People’ but it can easily be argued that it is just as well a “serious comedy for trivial people.” You may decide for yourself.
    Sami Cunningham & Joshua Goodridge, Dramaturgs

  • Cast

    1. AlgernonTrevor Starr, U/S Joshua Goodridge
    2. Jack Patrick Sylvester, U/S Alex Hehr
    3. GwendolynAmanda Tavarez, U/S Helena Whittaker
    4. CecilyVictoria Gluchoski, U/S Sami Cunningham
    5. Prism Jasmine Mitchell, U/S Sydney Walker
    6. Rev Chasuble Mike Nilsson, U/S Alex Hehr
    7. Lane David Klein
    8. MerrimanAlex Hehr
    9. Lady BracknellBelinda Boyd†, U/S Jasmine Mitchell

    Creative Team

    1. DirectorMark Routhier
    2. Assistant Directors & Dramaturgs    Joshua Goodridge* & Sami Cunningham*
    3. Stage ManagerBen Parrish*
    4. Assistant Stage ManagersBrianna Hicks* & Jackie Lawlor*
    5. Scenic DesignerVandy Wood
    6. Props MasterZoe Miller*
    7. Assistant PropsLily Novak*
    8. Paint ChargeErin Mohr
    9. Technical DirectorJohn Heil
    10. Assistant Tech DirectorMichael Layton
    11. Master CarpenterMorgan Burhoe*
    12. Lighting Designer Bert Scott
    13. Assistant to Lighting Designer.. Cheyenne Shrader*
    14. Master ElectricianAnthony Lefebve*
    15. Costume DesignerDaniel M. Jones
    16. Costume Shop SupervisorEmily Wille
    17. Sound DesignerTanner Best*
    18. Sound EngineerJack Audet*
    19. Light Board Operator.Meredith Pughe*
    20. Sound Board OperatorLogan Ayala*
    21. Wardrobe Andi Cummins* & Alecsa Kazenas*
    22. Run CrewAlex Jaruscewski*, Evan Jones*, Savanna Shurman*

    * UCF student. All cast members are UCF students, with the exception of Ms. Boyd.

    † Appears courtesy of Actors’ Equity Association.

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